Closed day

Closed day


The Prussian East Asian Expedition Photographic Team, *Nagasaki Panorama (Part) 1861, Albumen Paper, Collection of Tokyo Photographic Art Museum
*The title above for the displayed photograph is a replacement for the original title which is unknown.

Geneses of Photography in Japan: Nagasaki

Mar. 6May. 6, 2018

  • Mar. 6May. 6, 2018
  • Closed :Monday (however, it will open on April 30 [Mon], May 1 [Tue] )
  • Admission:Adults ¥ 700/College Students ¥ 600/High School and Junior High School Students, Over 65 ¥ 500

To celebrate the 150th anniversary of the beginning of the Meiji Era, the Tokyo Photographic Art Museum will hold a series of exhibitions based on the earliest Japanese photographs, depicting the birthplaces of Japanese photography and reconstructing a visual account of Japan during the mid-nineteenth century. The first of a series of exhibitions, this year we will present ‘Geneses of Photography in Japan: Nagasaki’.

Approximately 150 years ago, the Edo period came to an end and the Japanese government set about the creation of a Western-style nation. Photography arrived in Japan with the opening of the country’s borders, where it was used to capture this period of transition, passing it down to us today. Pierre Joseph Rossier and Felice Beato were among the foreign photographers who visited Nagasaki, leaving numerous photographs. In addition, there were also the early Japanese photographers, including UENO Hikoma, said to be the founder of Japanese photography, UCHIDA Kuichi, TAKESHITA Keiji, TAMEMASA Torazō, etc., whose works led to the popularization of photography in this country. Photography soon became established in its birthplace, and large numbers of photographs were produced, recording Japan as it moved from a feudal to modern society.

This exhibition, welcoming the expert on Nagasaki Dr. HIMENO Junichi (Professor Emeritus of Nagasaki University) as an advisor, will not be limited to early photographs, but will present other ‘items’ connected with the mid-eighteenth century, centered around photographs but also including mounts and album bindings. In addition, it will include maps, paintings, crafts and original works or materials that span the borderlines between genres, such as projections and large-scale maps, reconstructing an image of the ‘Nagasaki’ of the late Edo and early Meiji periods from a variety of angles.

Pierre Joseph Rossier, Japanese people on a rainy day〔Dejima〕c.1865, Albumen Paper (stereo card)
Collection of Nagasaki University Library

Anthonius Franciscus Bauduin, Baudin brothers and their nephew Francis de Ruiter c.1865, Albumen Paper,
Collection of Nagasaki University Library

Unknown〈koumoujin enken no zu〉(A Dutchman getting a distant view) , Late Edo Period, Coloured woodcut
Collection of Nagasaki Museum of History and Culture

Organized by Tokyo Photographic Art Museum, Tokyo Metropolitan Foundation for History and Culture, Nagasaki University, The Yomiuri Shimbun, The Japan Association of Art Museums
Sponsored by Lion Corporation, Dai Nippon Printing Co., Ltd., Sompo Japan Nipponkoa Insurance Inc, Nippon Television Network Corporation, the Corporate Membership of Tokyo Photographic Art Museum
Cooperated by Nagasaki Prefecture, Nagasaki Prefecture Convention and Tourism Association, Nagasaki City, Nagasaki Museum of History and Culture
Supported by the Embassy of the Kingdom of the Netherlands


Gallery Talk in English
Mar. 16 (Fri) 14:00~
Apr. 20 (Fri) 18:00~
As a special service for this exhibition, there will be two guided tours of the gallery conducted in English. The lecturer is Alice Gordenker, a writer and researcher in Japanese photographic history, who will provide explanation in English while guiding visitors through the exhibition for about an hour. Free with purchase of regular exhibition admission.