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東京都写真美術館 TOKYO PHOTOGRAPHIC ART MUSEUM

개관시간 10:00-18:00

입관은 폐관 30분 전까지

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오늘은 개관 합니다 (10:00-18:00)

오늘은 개관 합니다 (10:00-18:00)

한국어
Matthew Barney, Redoubt, 2018. Production still. © Matthew Barney, courtesy Gladstone Gallery, New York and Brussels, and Sadie Coles HQ, London. Photo: Hugo Glendinning

Matthew Barney REDOUBT screening

1F

Jan. 11Jan. 19, 2020

  • Official Site → https://www.tomosuzuki.com/redoubt

  • Contact: Tomo Suzuki Japan.Ltd. TEL:03-5468-7172 mail@tomosuzuki.com
  • Jan. 11Jan. 19, 2020
  • Closed Jan. 14
  • Running Time:18:30~

■Admission: All seats reserved; 1,600yen for each 


Matthew Barney, Redoubt, 2018. Production still. © Matthew Barney, courtesy Gladstone Gallery, New York and Brussels, and Sadie Coles HQ, London. Photo: Hugo Glendinning

Matthew Barney’s Latest Film REDOUBT screening in Tokyo
REDOUBT is a new film by American artist Matthew Barney known as his films such as CREMASTER Cycle, a series of five feature length films, and RIVER OF FUNDAMENT, a visual opera combining documentations of three parts of live acts.
REDOUBT consists of six parts. Slightly retelling the ancient myth of Diana and Actaeon, this 134-minute film depicts the relationship between humans and the natural world. In the winter landscape of Sawtooth Mountains, Idaho where the artist was brought up, the film features the mythological narrative with contemporary dance. In REDOUBT, the characters’ movements are formalized into choreographies that echo and foreshadow their encounters with wildlife.


REDOUBT 2018/U.S.A/DCP/134min.4secs./No dialogue
Written and directed by Matthew Barney
Produced by Matthew Barney, Sadie Coles, and Barbara Gladstone
Music composed by Jonathan Bepler
CAST: Anette Wachter(Diana), Eleanor Bauer(Calling Virgin), Laura Stokes (Tracking Virgin), K. J. Holmes (Electroplater),
Matthew Barney (Engraver), Sandra Lamouche (Hoop Dancer:)